The Old Queen’s Head
11/07/10
The weather’s warm, there’s a slight breeze and the pubs in Islington are full. There’s one in particular, however, that’s more interesting than all the others – The Old Queen’s Head is a ten minute walk from Angel Underground Station. The tables and chairs are set up outside and the aircon’s on full blast inside.
After ordering a well-deserved drink I ascend the rather eerie set of stairs to the gig room. A mirror hangs halfway up the staircase, the words “The Looking Glass” decorate it along with an illustration of The Mad Hatter. The room the stairs lead to is just as Carrol-esque, huge chandeliers hang from the ceilings, bizarre paintings decorate the faux-vintage walls and the bar staff are far from introverted.
But tonight is a night of music, not literature – although with the lyrical talent possessed by Lee MacDougall it’s often hard to differentiate. As one set finishes another one must begin and the dreadlocked singer on before Lee (his name escapes me) accepts the round of applause and exists stage right. Lee takes his place; guitar in hand and joined by rhythm guitarist Rob Getaway. They’re introduced by the enthusiastic bar staff and the set begins, kicking off with the unrequited love song How To Be, the crowd is small, but they’re definitely interested.
Lee’s second track for the evening, a fan favourite – Falling In Love For The Last Time receives greater praise – the crowd are getting hooked and Lee’s confidence is starting to crack through, particularly in his vocals. But it’s with Joanna, the third track of the evening that really hooks the audience – a sincere and powerfully written song made even more powerful by Lee’s expressive and commanding vocals.
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